In fact, to begin with, Paul could almost be a Transatlantic episode of Spaced, with the geek-pal relationship between Pegg and Frost’s Graeme and Clive riffing on exactly the same notes that made Tim and Mike so endearing in that television show. It’s still a routine that works though, and there are plenty of laughs to be had in the script’s many recurring jokes – one involving characters reeling off the increasingly ridiculous titles of a cult sci-fi author’s books is particularly funny. Director Greg Superbad Mottola develops a suitably atmospheric tone, which entireley fits the script’s spirit of both revering and mocking sci-fi conventions (in both senses), while Jason Bateman provides strong support as a menacing FBI agent on the hunt for Paul.
And what of the title character? Happily, Paul is the film’s greatest asset. A fantastically realised CG creation who gets all the funniest lines and is brilliantly voiced by Seth Rogen, he’s the spark of originality that makes this film worthwhile.
Paul is out now on general release. This review first published in The List magazine.