Showing posts with label hitchcock. Show all posts
Showing posts with label hitchcock. Show all posts

Thursday, 23 September 2010

Mother review


New to dvd this week from Joon-ho Bong, director of The Host and Memories of Murder, Mother defies pigeonholing, beginning as a compelling murder mystery and transforming into a dark and twisting character study, tinged with surreal dream-logic. Hye-ja Kim gives an amazingly intense and unpredictable performance as the unnamed mother of the title, who sets out to see justice done when her son (Bin Won), who has an unspecified learning disability, is arrested for the bizarre murder of a local schoolgirl. What starts out as a simple tale of a loving mother seeking vindication for her wrongfully-accused son becomes something much more complicated, as Bong slowly gets under the surface of the mother-son relationship while gradually revealing the unsettling lengths the mother is willing to go to to defend her cause.

The title brings Hitchcock’s Psycho to mind, and that may be intentional; Bong’s masterful composition and editing creates suspense that Hitch would be proud of. One brilliant pivotal sequence uses a slowly tracking camera to reveal key information in a way that’s simultaneously chilling and delightful, as great suspense cinema should be. Equally effective is Bong’s use of different points of view as the mother pieces together the truth; the combined impact of his stylish storytelling and Kim’s sensational performance make Mother an unforgettable experience.

8/10

Mother is available on DVD now.

Monday, 24 August 2009

Broken Embraces

Broken Embraces has everything that an Almodovar fan could hope for. It is a story about filmmaking that celebrates the triumphs and tragedies of storytelling: multi-stranded narratives unfold within other stories; seemingly unrelated characters are slowly revealed to be linked by deep secrets, and all the while Almodovar’s camera prowls with Hitchcockian precision, lapping up the beautifully designed sets and the equally beautiful performances of the cast (Lluis Homar and Penelope Cruz in particular). For all of its pleasures though, Broken Embraces feels too much like Spain’s greatest living director on autopilot. After the career high of Volver, which was so tightly constructed and emotionally resonant, Broken Embraces lacks focus, with perhaps too many storylines spiralling all over the place, and none of them gripping enough to really move an audience.

Make no mistake, a new Almodovar is always going to be essential viewing, and Broken Embraces offers many moments that can sit alongside his best work - a confrontation scene with Cruz mimicking her own image on a screen is stunning. But the overall sensation is as if Almodovar had laid on a delicious spread of sweet desserts, when what I really wanted was the full three courses.